Within the most precise qualification of a neoclassical work, the gorgeous ‘Mellanspel’ (‘Interlude’) from Stenhammar’s cantata Sången, Op. 44 (‘The Song’) does not pass muster.  Yet Stenhammar could etch a score with remarkable allusions to classicism. Here, the succinct periodic beauty, with its timeless Brucknerian choral echoes, finds a place at the end (and at the edges) of our project.

Jonathan Freeman-Attwood

Parts included:

  • Piano
  • Trumpet in C

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