{"id":4701,"date":"2024-02-19T09:16:49","date_gmt":"2024-02-19T09:16:49","guid":{"rendered":"https:\/\/resonatamusic.com\/?post_type=product&#038;p=4701"},"modified":"2024-02-19T09:18:12","modified_gmt":"2024-02-19T09:18:12","slug":"an-english-sett-for-trumpet-complete-pdf-download","status":"publish","type":"product","link":"https:\/\/resonatamusic.com\/?product=an-english-sett-for-trumpet-complete-pdf-download","title":{"rendered":"An English Sett for Trumpet (Complete) (PDF Download)"},"content":{"rendered":"<p class=\"p1\"><em><strong><span class=\"s1\">14 Pieces for Trumpet &amp; Piano<\/span><\/strong><\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">\u2018Sett\u2019 is an early 17<\/span><span class=\"s2\">th<\/span><span class=\"s1\">-century English term for a collection or a \u2018suite\u2019 of movements. This <\/span><span class=\"s1\">selection is motivated by a sense that a national obsession with history, literature and the stage <\/span><span class=\"s1\">\u2013 especially in the creative yield between the death of Elizabeth I and the death of Charles II \u2013 <\/span><span class=\"s1\">has unwittingly obscured England\u2019s astonishing musical accomplishments, especially in the <\/span><span class=\"s1\">period between c.1620-1680. After the blossoming of the post-Reformation \u2018golden age\u2019 of Tallis <\/span><span class=\"s1\">and Byrd, it is generally assumed that English musical life went into temporary free-fall until <\/span><span class=\"s1\">the miracle of Purcell in the 1680s. Certainly, there is almost no material until now to <\/span><span class=\"s1\">encourage the modern trumpet player to engage with this exceptionally fine body of work. <\/span><span class=\"s1\">An English Sett for Trumpet is intended as a parody of the good old 17<\/span><span class=\"s2\">th<\/span><span class=\"s1\">-century concept of \u2018mix <\/span><span class=\"s1\">and match\u2019 incorporating the performer\u2019s freedom to devise such groups of pieces as a kind of <\/span><span class=\"s1\">whim or conceit. This programme celebrates many of the colliding features which define the <\/span><span class=\"s1\">period: stylised keyboard dances dovetailing with consort songs, \u2018pop\u2019 madrigals flirting with <\/span><span class=\"s1\">mixed and high-born viol consorts, a lute fantasy of studied melancholy, the unusual <\/span><span class=\"s1\">appearance of the Irish harp at court, an In Nomine \u2018a homage\u2019 to our forefathers, and a <\/span><span class=\"s1\">devilish \u2018battaglia\u2019 as just one example of where variation and division allow a golden thread of <\/span><span class=\"s1\">invention.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">We hope these works by Byrd, Gibbons, Jenkins, Lawes, Locke and a plethora of madrigalists <\/span><span class=\"s1\">will illuminate concert programmes in their new clothes, skillfully tailored in Timothy Jones\u2019s <\/span><span class=\"s1\">idiomatic arrangements.<\/span><\/p>\n<p>Parts included:<\/p>\n<ul>\n<li>Trumpet in C<\/li>\n<li>Piano<\/li>\n<\/ul>\n<p>Pieces included:<\/p>\n<p class=\"p1\"><span class=\"s1\"><b>John Jenkins (1592 &#8211; 1678)<\/b> &#8211; Fantasy No. 1 (<i>Consorts in Five Parts<\/i>)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>William Byrd (c. 1539 &#8211; 1623) &#8211; <\/b>La Verginella <i>(Psalmes, Sonets &amp; Songs)<\/i><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Thomas Tomkins (1572 &#8211; 1656) &#8211; <\/b>Oyez! Has Any Found a Lad? (<i>Songs of 3, 4, 5 and 6 parts<\/i>) <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Orlando Gibbons (1583 &#8211; 1625) <\/b>&#8211; Go from My Window<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>William Lawes (1602 &#8211; 1645)<\/b> &#8211; Pavan and Divisions (<i>Harp Consort No. 8 in G Major<\/i>)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>William Lawes <\/b>&#8211; Fantasy in G minor (<i>Consorts in Six Parts<\/i>)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b> William Lawes <\/b>&#8211; Fantasy in B-flat Major (<i>Consorts in Six Parts<\/i>)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b> William Lawes <\/b>&#8211; Almaine (<i>Sett No. 2 in G Major in Three Parts<\/i>)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Orlando Gibbons <\/b>&#8211; O That the Learned Poets (<i>Madrigals &amp; Motets<\/i>)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b> Orlando Gibbons <\/b>&#8211; The Sliver Swan (<i>Madrigals &amp; Motets<\/i>)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>John Wilbye (1574 &#8211; 1638) &#8211; <\/b>Adieu, Sweet Amaryllis <i>(First Set of Madrigals)<\/i><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>John Bennet (c. 1575 &#8211; 1614)<\/b> <\/span><span class=\"s2\">&#8211; <\/span><span class=\"s1\">All Creatures Now Are Merry-Minded (<i>The Triumphs of Oriana<\/i>) <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>William Byrd <\/b>&#8211; Though I Be Brown<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Thomas Morley (1557 &#8211; 1602)<\/b> &#8211; Now Is the Month of Maying<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Purchasing this product entitles you to download it three times. You will receive an email with a link to download your files upon completing payment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>14 Pieces for Trumpet &amp; Piano \u2018Sett\u2019 is an early 17th-century English term for a collection or a \u2018suite\u2019 of movements. This selection is motivated by a sense that a national obsession with history, literature and the stage \u2013 especially in the creative yield between the death of Elizabeth I and the death of Charles  [&#8230;]<\/p>\n","protected":false},"featured_media":2789,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[1024],"product_tag":[],"class_list":{"0":"post-4701","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-download","7":"pa_arranger-jones-timothy","8":"pa_composer-bennet-john","9":"pa_composer-byrd-william","10":"pa_composer-dowland-john","11":"pa_composer-gibbons-orlando","12":"pa_composer-jenkins-john","13":"pa_composer-lawes-william","14":"pa_composer-matthew-locke","15":"pa_composer-morley-thomas","16":"pa_composer-tomkins-thomas","17":"pa_composer-wilbye-john","18":"pa_editor-freeman-attwood-jonathan","19":"pa_instrumentation-trumpet-piano","20":"pa_series-the-re-imagined-trumpet","21":"pa_style-renaissance","22":"pa_type-sheet-music-download-sheet-music","24":"first","25":"instock","26":"downloadable","27":"virtual","28":"purchasable","29":"product-type-simple"},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/resonatamusic.com\/index.php?rest_route=\/wp\/v2\/product\/4701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resonatamusic.com\/index.php?rest_route=\/wp\/v2\/product"}],"about":[{"href":"https:\/\/resonatamusic.com\/index.php?rest_route=\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/resonatamusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4701"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/resonatamusic.com\/index.php?rest_route=\/wp\/v2\/media\/2789"}],"wp:attachment":[{"href":"https:\/\/resonatamusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4701"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/resonatamusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_brand&post=4701"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/resonatamusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_cat&post=4701"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/resonatamusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_tag&post=4701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}