{"id":4480,"date":"2024-02-16T14:39:16","date_gmt":"2024-02-16T14:39:16","guid":{"rendered":"https:\/\/resonatamusic.com\/?post_type=product&#038;p=4480"},"modified":"2024-02-18T16:41:30","modified_gmt":"2024-02-18T16:41:30","slug":"handel-prelude-allemande-and-fugue-for-trumpet-piano-pdf-download","status":"publish","type":"product","link":"https:\/\/resonatamusic.com\/?product=handel-prelude-allemande-and-fugue-for-trumpet-piano-pdf-download","title":{"rendered":"Handel &#8211; Prelude, Allemande and Fugue for Trumpet &#038; Piano (PDF Download)"},"content":{"rendered":"<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Handel\u2019s ability to balance and fuse French and Italian taste and idiom is as masterful \u2013 albeit applied markedly differently \u2013 as Bach. Bach adopts French manners and provenances according to his own developing keyboard invention from the early English Suites (very French) to the French Suites (quite French) to the mature Partitas (sui generis). With Handel, the gallic accent in his \u2018eight great suites\u2019, published in 1720 but written years before, draws on earlier \u2018claveciniste\u2019 practices \u2013 as in the exquisitely conceived Allemande from the substantial seven-movement <i>Suite in D minor, HWV 428<\/i>. Timothy Jones\u2019s compressed tableau uses a portion of the original Prelude as a preamble to the languid Allemande and culminating in a fugue with a subject of exceptional character. It is in this movement, especially, that one draws on an observation of Handel\u2019s contemporary and first biographer, John Mainwaring: \u2018What distinguishes him from all other players was that amazing fullness, force and energy which he joined with uncommon brilliancy and command of finger\u2019.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>Jonathan Freeman-Attwood<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>Parts included:<\/p>\n<ul>\n<li>Trumpets in C<\/li>\n<li>Piano<\/li>\n<\/ul>\n<p>Purchasing this product entitles you to download it three times. You will receive an email with a link to download your files upon completing payment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Handel\u2019s ability to balance and fuse French and Italian taste and idiom is as masterful \u2013 albeit applied markedly differently \u2013 as Bach. Bach adopts French manners and provenances according to his own developing keyboard invention from the early English Suites (very French) to the French Suites (quite French) to the mature Partitas (sui generis).  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